sculpture

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Art

New Embroideries of People Slumbering on Handmade Pillows by Maryam Ashkanian

January 30, 2019

Kate Sierzputowski

Iranian artist Maryam Ashkanian (previously) embroiders portraits of peaceful sleepers deeply resting as a part of her ongoing Sleep series. Each individual she creates begins with a gestural line drawing that is then embroidered onto a handmade pillow. Little hints of the sleeper’s personality are presented by the way the pillow is designed—from a flowered watch on one’s wrist, to a ruffle that encircles that pillow’s outer edge. You can see more of Ashkanian’s textile work on her website and Instagram.

 

 



Art

A Pulsating Neon Skeleton by Tavares Strachan Honors Scientist Rosalind Franklin

January 30, 2019

Kate Sierzputowski

Courtesy of Tavares Strachan, all photography and video by Tom Powel Imaging.

What Will Be Remembered in the Face of All That is Forgotten is a sculptural neon work by the New York City-based artist Tavares Strachan made between 2014-2015. The five-foot-tall piece includes pulsating neon that mimics the racing of blood through veins, stainless steel to hold the skeleton in place, and a total of seven transformers. The flashing circulatory system is a glowing reminder of English scientist Rosalind Franklin’s contributions to the field of science, mainly the discovery of DNA’s molecular structures. The work was originally included in the solo exhibition Seeing is Forgetting the Thing that You Saw at Anthony Meier Fine Arts in San Francisco, which examined individuals whose names have been omitted from common accounts of history despite their great accomplishments.

Strachan, in partnership with LACMA Art + Technology Lab and SpaceX, also recently launched a sculpture honoring Robert Henry Lawrence Jr., the first African-American to train as an astronaut with NASA. Although Lawrence never made it into space, a 24-karat gold urn with his bust titled “Enoch” will orbit the Earth for seven years in a sun-synchronous orbit. You can see more of Strachan’s sculptural work, and keep up-to-date on the location of Enoch, on Instagram.

 

 

 



Art

A Decade of Daniel Arsham’s Material Explorations Opens at Amsterdam’s MOCO Museum

January 29, 2019

Sasha Bogojev

Daniel Arsham, "Hidden Figure" (2011), all images by Sasha Bogojev

Daniel Arsham, “Hidden Figure” (2011), all images by Sasha Bogojev

Connecting Time is an exhibition that spans a decade of work by Daniel Arsham (previously), and was organized in collaboration with Galerie Ron Mandos and Perrotin for MOCO Museum in Amsterdam. In addition to the debut of Calcified Room and a specially designed iteration of Amethyst Ball Cavern, is one of the iconic pieces Hidden Figure (2011) from the Elastic Walls series. The piece is constructed from fiberglass, paint, and joint compound, and is a classic example of the artist’s ongoing play with the perception of physical space in addition to his experimentation with material properties.

Arsham continually challenges the notion of what 3-dimensional art should be by creating the illusion of familiar materials or architectural elements performing in unusual ways. Pieces like Corner Knot (2008) and Falling Clock (2012) are prime examples of this way of working, and are positioned opposite of each other in the artist’s 10-year showcase.

"Corner Knot" (2008) and "Falling Clock" (2012)

“Corner Knot” (2008) and “Falling Clock” (2012)

Arsham’s entire series of sculptural pieces from his fictional archaeology series dominates the basement of the museum. This body of work was directly inspired by the artist’s visit to Easter Island several years ago, and the uncertainty about the real history of the island’s monumental sculptures. Inspired by the idea of creating future artifacts, Arsham developed a whole range of different procedures and techniques to create eroded and decayed versions of po culture items. Using geological substances such as volcanic ash, rose quartz, obsidian, and glacial rock, he continuously adds new items to this opus, each time constructing the latest artifact with different material.

Although he has previously taken objects from areas that he is personally attached to, such as sports, music, or pop culture, the show in Amsterdam includes a new series of works created from flat, printed works such as books, magazines, and food packaging. You can follow Arsham’s latest work, projects, and releases on Instagram, and visit Connecting Time until September 30th, 2019 at MOCO Museum in Amsterdam. Another solo exhibition, Static Mythologies, is also on view in Amsterdam at Galerie Ron Mandos through March 16, 2019.

"Hidden Figure" (detail)

"Basketball Rack" (detail)

“Basketball Rack” (detail)

"Basketball Rack"

“Basketball Rack”

"Miami Heat Jacket"

“Miami Heat Jacket”

"Miami Heat Jacket" (detail)

“Miami Heat Jacket” (detail)

"Arm Spanning Corner"

“Arm Spanning Corner”

"Calcified Room" (2019)

“Calcified Room” (2019)

"Amethyst Ball Cavern"

“Amethyst Ball Cavern”

"Amethyst Ball Cavern" (detail)

“Amethyst Ball Cavern” (detail)

 

 



Art

Willow Branches Shaped into Flowing Abstract Installations by Laura Ellen Bacon

January 25, 2019

Andrew LaSane

"Murmuration" (2015), Flanders Red willow, installed at the Holburne Museum in Bath, UK. Photograph by Nick Smith Photography. All images courtesy of Laura Ellen Bacon.

“Murmuration” (2015), Flanders Red willow, installed at the Holburne Museum in Bath, UK. Photograph by Nick Smith Photography. All images courtesy of Laura Ellen Bacon.

British sculptor Laura Ellen Bacon twists, ties, and knots pieces of willow and other raw materials to create large-scale abstract sculptures which she installs both inside and outside of architectural structures. The pieces often involve several stages of sketching, and weeks of weaving using her hands and few other tools. Bacon’s twisting reddish-brown forms hug and scale buildings, walls, and other existing space and landscapes in interesting and intimate ways.

“My work often ‘grows’ from a host structure as I’m very interested in the tension between built, planned structures, and the ‘unplanned’ organic form that may grow upon it,” the artist tells Colossal. “I’m also very interested in the human scale of handmade structures and have created several woven spaces in recent years that people can enter inside—creating and entering the work can be a very sensory experience.”

Bacon finds interest and inspiration in nature and natural phenomena, like the swirling patterns or murmurations formed by some flocking birds. The visual poetry, scale, and juxtaposition of each piece to its setting can be seen from a distance, but it takes a closer approach to appreciate the seemingly chaotic web of expertly intermingled natural materials.

In addition to developing two very large pieces that will use several tons of stone and willow, the artist says that she will be exhibiting a new work with jaggedart at this year’s Collect: International Art Fair for Modern Craft and Design. The fair opens at London’s Saatchi Gallery on February 28 and runs through March 3, 2019. You can view more of her sculptures by visiting her websiteInstagram, and Twitter.

Murmuration, photograph by Nick Smith Photography

Murmuration, photograph by Nick Smith Photography

Murmuration, photograph by Nick Smith Photography

Murmuration, photograph by Nick Smith Photography

"Exposed," Flanders Red willow, installed at Blackwell, The Arts and Crafts House. Photographer: Laura Ellen Bacon

“Exposed,” Flanders Red willow, installed at Blackwell, The Arts and Crafts House. Photographer: Laura Ellen Bacon

Exposed, photograph by Tony West

Exposed, photograph by Tony West

Laura Ellen Bacon installing her work "Exposed" at Blackwell, The Arts and Crafts House, photograph by Tony West

Laura Ellen Bacon installing her work “Exposed” at Blackwell, The Arts and Crafts House, photograph by Tony West

"Course" (2015), Dicky Meadows willow, installed at Hall Place in London, UK, photograph by Steve Hickey

“Course” (2015), Dicky Meadows willow, installed at Hall Place in London, UK, photograph by Steve Hickey

Course, photograph by Steve Hickey

Course, photograph by Steve Hickey

"Split Forms" (2012), Dicky Meadows willow, installed at New Art Centre in Roche Court, Wiltshire UK, photograph by Laura Ellen Bacon

“Split Forms” (2012), Dicky Meadows willow, installed at New Art Centre in Roche Court, Wiltshire UK, photograph by Laura Ellen Bacon

Split Forms, photograph by Laura Ellen Bacon

Split Forms, photograph by Laura Ellen Bacon

 

 



Art Craft

A Life-Size Skeleton and Organs Crocheted from Wool by Shanell Papp

January 24, 2019

Kate Sierzputowski

Canadian artist Shanell Papp crochets forms associated with the human figure, notably crocheting a life-size skeleton stuffed with colorful removable organs. The work was created in 2005 from wool yarn, and includes everything from a soft crocheted heart to ten hollow phalanges. After working for four months on the skeleton, and four months on the organs, the final work was displayed on an actual mortuary gurney. If you are interested in more handmade anatomy, check out Dr. Karen Norberg’s scientifically-accurate soft sculpture of the human brain. (via designboom)

 

 

 



Art

Pixelated Wooden Faces by Gil Bruvel Reveal Abstract Color Explorations When Exhibited in Verso

January 24, 2019

Kate Sierzputowski

"In the Green," all images via Gil Bruvel

“In the Green,” all images via Gil Bruvel

For his unusual figurative sculptures artist Gil Bruvel splits lengths of lumber into manageable sticks which he arranges and paints in bright shades of blues, greens, and reds. On one side, the wooden pieces configure into faces at rest in peaceful expressions, while on the reverse they remain jumbled and abstract. The pixelated sculptures appear like sophisticated pieces of three-dimensional pin art that reveal permanent images of faces, instead of temporary impressions of a nose or hand. Pieces from the series, Bending the Lines, will be on display in Federic Got Gallery’s booth as a part of the LA Art Show from January 23 – 27, 2019. You can see more of Bruvel’s sculptures on his website and Instagram.

In the Green

In the Green

In the Green

In the Green

Equanimity

Equanimity

Equanimity

Equanimity

Symbiosis

Symbiosis

Divided

Divided

Divided

Divided

Symbiosis

Symbiosis

Symbiosis

Symbiosis

 

 

 



Art

Mountainous Landforms Top Carved Book Configurations by Guy Laramée

January 23, 2019

Kate Sierzputowski

Historia das Americas II

Historia das Americas II

Guy Laramée (previously) erects topographic specimen from collections of vintage books. His carved sculptures imitate the mountains of knowledge once physically collected in books rather than compiled via digital means. In this series of new works from 2017-2018 the Montreal-based artist incorporates traditional methods of book organization as integral parts of the sculptures— such as box set containers, simple wood stands, and metal bookends reminiscent of public libraries. Laramée’s work is included in the group exhibition “Unbound” at TwoRivers Gallery in Prince George, British Columbia through March 31, 2019. You can see more of his sculptural takes on vintage anthologies on his website.

Historia das Americas II

Historia das Americas II

Boa Esperança

Boa Esperança

Boa Esperança

Boa Esperança

Whale

Whale

Chapada

Chapada

Whale

Whale

L'Énigme

L’Énigme

L'Énigme

L’Énigme

Chapada

Chapada

 

 

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Artist Cat Enamel Pins