As part of a personal project exploring typography, artist Lola Dupre (previously) imagined a series of unusual structures shaped like letters of the alphabet. The artist utilized her well-known collage technique that incorporates existing photographs that are cut into tiny pieces, often in duplicate, to make each building. Dupre recently started an Instagram account where you can see some of her latest completed works. (via Soft Shock)
The Great Hall during the exhibition “Polish Painting of the 21st Century,” Leon Tarasewicz, 2006, photo: Sebastian Madejski. All images via We Are Museums
Back in 2006, Warsaw’s National Gallery of Art, Zachęta, held a group exhibition titled “Polish Painting of the 21st Century.” Painter Leon Tarasewicz contributed a site-specific work to the 60-artist exhibition, redoing the museum’s Great Hall in a bath of red, yellow, blue, and green splatter paint. The work splattered the stairs and crept up the surrounding walls, creating a dramatic entrance for anyone entering the exhibition. (via ArchAtlas which was inexplicably deleted by Tumblr last week?)
Polish artist NeSpoon (previously here and here) focuses on lace motifs that cover the walls, streets, and public parks found in urban environments. The lace works are either painted directly onto the surface or formed from clay, each handmade by herself or the traditional folk artists with whom she works.
“In lace there is an aesthetic code which is deeply embedded in every culture,” says NeSpoon. “In every lace we find symmetry, and some kind of order and harmony. Isn’t that what we all seek for instinctively?”
Recently NeSpoon has created work in Wroclaw, Auckland, Pont-l’Abbé, and Warsaw. You can see more of her public murals and installations on Behance.
Interested in documenting one of the oldest animals on Earth, Barcelona-based production company myLapse set to capture the minimal movements of brightly colored coral, recording actions rarely seen by the human eye. The short film took nearly 25,000 individual images of the marine invertebrates to compose, and photography of species, such as the Acanthophyllia, Trachyphyllia, Heteropsammia cochlea, Physogyra, took over a year.
The production team hopes the film attracts attention to the Great Barrier Reef, encouraging watchers to take a deeper interest in one of the natural wonders of the world that is being rapidly bleached due to climate change. You can see more up-close images of the coral species featured in this film on Flickr. (via Sploid)
Located in a forest just beyond a nondenominational cemetery sits the Sayama Forest Chapel, a three-year-old building designed by Hiroshi Nakamura & NAP (previously). From a bird’s eye view the chapel appears to form both a star and two hands pressed together in prayer, which is a traditional Japanese structural form called “Gassho-zukuri.”
“For those who are in deep grief and inconsolable, how can architecture nurture them? With this in mind, I designed buildings that gently surround them and support their intentions,” explained Nakamura to Yellowtrace.
The building was also built in a way to promote growth around its exterior, with walls tilted inward to leave room for the forest to grow around its shape. The chapel’s floor and patterns of its slate also lean toward the forest, subtly asking visitors to concentrate their mind on the surrounding elements of nature.
The chapel was named as a winner in the religious buildings and memorials category in this year’s Architizer A+Awards, an awards program that celebrates the year’s best in architecture and products. (via Yellowtrace)
In this 2012 installation, street artist Never2501 assembled a variety of found vegetation to form an eerie skeleton at the base of some steps in the idyllic gardens of the Museo Archeologico Paolo Giovio in Como, Italy. The piece was titled “In Cammino Per Trasformarsi Nell’istante Presente” (Moving to Transform into the Present) and could be interpreted as a harbinger of the seasons with the decaying root stumps and limbs pulled from a nearby forest, fit together without aid of any additional materials. Or maybe it’s just an incredibly disturbing thing to stumble onto when walking through the woods? You can see more photos of the temporary piece here, and follow Never2501’s more recent work on Instagram. (via This Isn’t Happiness, StreetArtNews)