Taking the analogy comparing blood vessels and tree branches literally, Nunzio Paci (previously) creates oil and graphite paintings that connect humans back to nature. Paci’s works look almost straight from a medical textbook except for one flaw—the trees and animals that sprout from his subjects’ mouths, chests, and necks. Paci ultimately takes a painterly approach to his works, paint dripping down the canvas to add balance to his extreme detail.
Paci’s practice centers on the relationship between man and nature, especially focusing on the visual overlap of our intrinsic and extrinsic systems. The beautiful and minimally colored works could be interpreted as extremely morbid—Paci showing us our ultimate fate when nature takes over.
Paci lives and works in Italy. His last exhibition was titled In the Garden of Idne at Oxholm Gallery in Copenhagen this past January.
SLOSH SAMPLES #1 2014 flubber, pva glue, acrylic, oil paint, resin plastics, polymer balls, polymer clay, pigment, water, varnish, 100ml serum vials, all photos by docQment
Louise Zhang's Slosh Samples look like floating paintings, three-dimensional depictions of 2D abstract work. The bottles contain brightly colored fluids that separate and congeal, containing everything from polymer clay to flubber. At first one is delighted by the bubblegum colors that fill the vessels, yet after a quick inspection the grotesque nature of what lurks inside is easily revealed.
Both Zhang’s sculptures and paintings happily represent blob-like forms and revolting textures. The work seems excited to repel its audience after it has seduced them with its saturated neon hues, a palette that could be described as cute or playful. Zhang’s website compares her playful works to childhood cartoons like Spongebob Squarepants or Ren and Stimpy—television shows that invite our minds to interact with slime, slop, and snot.
Zhang is a Sydney-based artist currently working on her MFA at UNSW Art & Design and partaking in a residency with Throwdown Press. The artist’s first solo exhibition Plomp was held at Artereal Gallery in 2014. Zhang has described her work as “evocative of confectionery—the gooey, the sticky, and the sensation of sweets melting,” which brings to mind the sweet and sugary installations of Pip & Pop. (via Zannaka)
SLOSH SAMPLES #2 2014 flubber, pva glue, acrylic, oil paint, resin plastics, polymer balls, polymer clay, pigment, water, varnish, 100ml serum vials
SLOSH SAMPLES #2 (details) 2014
Photographer Steve Axford (previously) continues his quest to document some of the world’s most obscure fungi found in locations around Australia. Axford lives and works in the Northern Rivers area of New South Wales in Australia where he often has to travel no further than his own back yard to make some of the discoveries you see here. The forms of fungi, slime molds, and lichens he prefers to document seem to have no limit in their diverse characteristics. Axford explained when we first featured his work last year that he suspects many of the tropical species he stumbles onto are often completely undocumented. You can follow more of Axford’s discoveries on Flickr and SmugMug.
LATA 65 is connecting art between generational divides, matching older citizens of Lisbon with a relatively young form of art—graffiti (“lata” means “can” in Portuguese). Through workshops attendees learn the history of street art while making their own stencils and tags, ultimately incorporating their work in murals across the city. These bright colors go into run-down parts of the Lisbon, and each new artist is aided by the help of well-known street artists.
The goal of LATA 65 is to eliminate the many cliches that come with street art by widening both its audience and participants. Through introducing the art of graffiti to a different group of makers, the project hopes to create a solidarity between all groups involved while adding some colorful designs to the city along the way. (via mashkulture, Messy Nessy Chic, CollabCubed, and mental_floss)
The jellyfish tank is the first environment I always run to when visiting an aquarium. I’m drawn to the luminous quality of the underwater creatures’ bodies, as well as their inclusion in a scene that appears to need no sources of artificial light. Glass artist Rick Satava was also captivated by these creatures in the late 80s, and after a trip to the Monterey Bay Aquarium he began to experiment with sculptures that mimicked the experience of a jellyfish’s elegant glide through the water.
Satava began selling these sculptures in 1990, and by 2002 he was crafting about 300 pieces of work a month. The bright jellyfishes he creates are suspended in the glass that surround them, yet each still appears as if their tentacles are rippling through the water. The glass blown approach works perfectly when translated to the round bell-like shape of the jellyfish’s body, as their natural appearance looks like brightly blown glass.
The California-based artist uses a technique in his sculptures called “glass-in-glass,” which consists of a glass sculpture being dipped into a second, molten glass layer. You can find Sativa’s sculptures within dozens of galleries nationally as well as a few locations internationally including Japan, Spain, Sweden, Switzerland. (via My Modern Met)
As part of an exhibition of new artworks at bitforms in New York, artist Daniel Rozin (previously) designed the PomPom Mirror. The device relies on motion sensors and 928 faux fur pom poms manipulated by 464 motors to create a mirror reflection of the viewer in real-time. The PomPom mirror is one in a long series of similar interactive installations that utilize motorized arrays of moving objects like wooden pegs, trash, or even folding fans, that generate moving silhouettes in response to movement. Descent With Modification at bitforms runs through July 1, 2015. (via Booooooom)
Artist Bordalo II (previously here and here) uses old tires, bumpers, and other scraps of painted found trash to form towering 3D murals of animals on the streets of Lisbon, Portugal. Collected here are several pieces from the last few months, and you can see much more on Facebook. (via Beautiful/Decay)