Full Trailer for ‘Loving Vincent,’ a Feature-Length Film Animated by 62,450 Oil Paintings 

The full trailer for Loving Vincent (previously here and here), a film examining the life of Vincent van Gogh, has finally been released after nearly six years of creative development. Each of the 62,450 frames for the feature-length film were hand-painted by 115 professional oil painters, and will integrate 94 of Van Gogh’s paintings into the animation. First captured as a live action film, the final oil paintings replicate each shot, recreating the entire film frame-by-frame. Loving Vincent is written and directed by Dorota Kobiela and Hugh Welchman, and produced by Poland’s BreakThru Films and UK’s Trademark Films. You look behind-the-scenes of the film in the video below, as well as keep up-to-date with release information on the film’s Twitter and Facebook.

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A New Large-Scale Installation of Boats and Tangled Thread by Artist Chiharu Shiota 

All images, “Where are we going?” Installation by Chiharu Shiota at Le Bon Marché Rive Gauche, copyright Gabriel de la Chapelle

The newest installation by Chiharu Shiota (previously here and here) is composed of nearly 300,000 yards of white yarn, woven to encapsulate the center, ground floor, and ten windows of Le Bon Marché. The exhibition, titled Where are we going?, will feature 150 boats within the French department store’s center, and the ground-floor exhibition will house a giant threaded wave that visitors are encouraged to walk through. Despite boats being a common theme in Shiota’s work, this installation will mark the first time she has used white yarn, previously creating installations with only black or red thread.

The title of the exhibition, Where are we going?, refers to the mysterious destinations that pinpoint each of our individual and collective lives. Therefore the boats in this installation represent vessels sailing towards unknown locations, the works expressing both a sense of poetry and a sense of unease over what is to come.

“I am struck by the multiplicity of interactions that we experience every day, by their connections with the past and the future,” said Shiota in an interview with Le Bon Marché. “The creation of this indecipherable mesh and its plasticity are a mystery, just like our brain, the universe, and of course, life. I have no answers, only questions. These questions are the foundations of my work.”

Last year Le Bon Marché organized a large exhibition of Ai WeiWei's work which featured a 65-foot bamboo and silk dragon in the store’s atrium. Shiota’s Where are we going? will be displayed at Le Bon Marché through February 18, 2017. (via Fubiz)

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New Impossibly Intricate Embroideries by Chloe Giordano 

We continue to be enthralled by the work of Chloe Giordano (previously here and here) who produces everything from tiny coin-sized depictions of woodland creatures to entire book covers typography and all. The Oxford-based illustrator is entirely self-taught, learning her craft “through a lot of trying things out and messing them up.” Each piece is deeply connected to her pencil drawings, as she works out many of the details on paper before turning to thread. Giordano frequently fields questions on her Tumblr and you can follow more of her progress on Instagram.

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Over Two Decades of Charting the Various Movements of Snails by Photographer Daniel Ranalli 

“Spiral #9” (1996)

For more than 20 years photographer Daniel Ranalli has been actively collaborating with the ecology of Cape Cod, with one of his most collaborative projects being his Snail Drawing series. The works each contain two images, the first capturing the snails in a simplified pattern of Ranalli’s choosing on the beach, and the second showcasing the ways the snails have decided to move out of this neatly formed configuration. The second image allows the viewer to see the trace of the snail’s movement in the sand, the small bodies slowly scattering away from center.

“The best pieces depend on a certain degree of randomness for their success,” said Ranalli. “I tend to think of the snail pieces as a metaphor for the order we establish in our lives, and how the element of chance enters in to affect the result—regardless of how much we attempt to structure it.”

Some of Ranalli’s work will be exhibited with Laurence Miller Gallery this weekend at Classic Photographs Los Angeles from January 21-22. You can see more of his snail series as well as other gesture-based photography (like his Erased Chalkboard series) on his website. (via La Boite Verte)

“Stone Surrounded” (2014)

“Stick Square” (2013)

“Rock Vein #2” (2013)

“Long Rectangle” (1999)

“Infinity” (2013)

“Diminishing Line” (2013)

“Double Line #2” (2007)

“Cross #2” (2008)

“Circle #2” (2007)

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Speculative Paintings of a Graffiti-Covered Earth by Josh Keyes 

"Descent" (2016), acrylic on panel, 8"x10"

“Descent” (2016), acrylic on panel, 8″x10″

Josh Keyes' newest series features subjects both manmade and natural, their common element being several layers of graffiti that cover a space shuttle, a melting iceberg, and even a whale’s tail. For the last ten years these marks had remained in the background of Keyes’ paintings, adding detail to the supporting elements of the environment rather than being integrated into the subjects of his work.

For Keyes, the decision to place graffiti writing in the foreground questions our relationship to the natural world, and what impact we are undeniably leaving on our planet. The iceberg for instance, is marked with the words, “I’ll melt with you.” This blood red message could be the voice of both the iceberg and the tagger, a warning that we will all be melting if we continue to desecrate the Earth.

“Are there things and places that graffiti should not be?” asked Keyes to Colossal. “Who is to say what surface is to be kept graffiti clean? My personal concern is that this will be a reality some day and speaks to a larger issue of our relationship with the natural world. The satellite and space graffiti hints that even if we colonize other worlds, what mark will we leave? No matter where we go there is evidence of our presence.”

Keyes’ will exhibit his paintings later this year with Thinkspace Gallery in LA. You can see more of his works on his Instagram and website.

"Tin Can" (2016), acrylic on panel, 24"x48", all images via Josh Keyes

“Tin Can” (2016), acrylic on panel, 24″x48″, all images via Josh Keyes

"Tin Can" (2016), acrylic on panel, 24"x48"

“Tin Can” (2016), acrylic on panel, 24″x48″

"I'll Melt With You" (2016), acrylic on panel, 12"x18"

“I’ll Melt With You” (2016), acrylic on panel, 12″x18″

"Frontier 2" (2016), acrylic on panel, 12"x16"

“Frontier 2″ (2016), acrylic on panel, 12″x16”

"Frontier" (2015), acrylic on panel, 19"x24"

“Frontier” (2015), acrylic on panel, 19″x24″

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Thousands of Birds Photographed Atop Snow-Laden Trees in Downtown Portland, Oregon 

Photo © Walker Berg courtesy Portland Police

One evening last week, C.S.I. Walker Berg of the Portland Oregon Police Bureau looked out a window on the 12th floor of the Justice Center to discover an incredible sight: trees freshly covered in thick white snow were covered in yet another layer of thousands of black crows. Berg grabbed a Nikon D700 and snapped this amazing shot of the trees eerily lit from below by street lamps before the birds disappeared. The police department shared the image dubbed “Crows on Snow” on Facebook and Twitter where it quickly went viral.

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