Since the early 1980s Japanese artist Niyoko Ikuta has explored the properties of glass which she uses to make etheral geometric sequences manifested as layered sculptures. One of the leading figures in Japanese glass art, Ikuta’s works have been collected by institutions worldwide including the V&A in London and the Corning Museum of Glass in the U.S. She shares about her work via V&A:
I am captivated by the complexity of light as it reflects, refracts, and passes through broken cross sections of plate glass. In 1980 I began making artwork by laminating sheets of glass using adhesive and exposing the cross sections. My motifs are derived from feelings of gentleness and harshness, fear, limitless expansion experienced through contact with nature, images from music, ethnic conflict, the heart affected by joy and anger, and prayer. In creating my pieces it is like imagining an architectural space when viewing blueprints, deciding on an image by reading into the intentions of the architect, or imbuing a space with dynamic energy to bring it to life.