Painter Kelly Reemtsen (previously) paints images of anonymous women in thick impasto. The pieces juxtapose high fashion with tools and other construction equipment, placing sequenced high heels alongside sledgehammers and hefty axes. The colorfully painted works are Reemtsen’s comment on modern femininity. By placing tools in each of her subjects’ hands, the LA-based artist showcases that having feminine identification doesn’t mean fitting into a predetermined role.
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