New York-based artist and illustrator Christoph Niemann sees the world a little differently. You might recognize his covers for the The New Yorker, Atlantic Monthly, The New York Times Magazine, or perhaps one of his Google Doodles or even his I LEGO N.Y. project. As part of his creative practive Niemann sets time aside every Sunday to experiment with different visual concepts, much of which he shares on his Instagram account. Collected here are some of our favorites, but you can see much more over on his Tumblr. Niemann also has a solo show at MAK in Vienna opening later this summer.
First off: language warning for the kiddos. Stop-motion animator Dillon Markey works on projects for animation powerhouses like Robot Chicken and PES. While on set three years ago Markey tired of moving back and forth between the set, camera, and computers for each shot and conceived of a numerical keypad he could use to help control some, if not all, of the devices he uses for animating.
In a stroke of nostalgic brilliance, he realized Nintendo’s failed 1980 Power Glove—a wearable device that was supposed to offer novel ways of controlling video games—possessed the form factor he needed. While the Power Glove itself was a commercial flop because of imprecise and awkward controls (not to mention crummy games), Markey teamed up with an electrical engineer to completely rewire the device so it could interact with his stop-motion software via Bluetooth. In a move that would make Inspector Gadget proud, he further modified the glove to incorporate animation tools like retractable tweezers and special sensors that emit the perfect phrase when you use the glove for a fist-bump.
One would think such modifications would be interesting for the purpose of making a quick concept video like this, but that in practical application it might not really work. Not the case: he’s now used it for over 1.5 years on projects like this. It makes you wonder what other outmoded technology had the right form factor but wrong application? Film by Ava Benjamin.
There’s an innate relationship between children and the animal kingdom. Our children sing songs about animals, the have toy animals, they have books about animals and they dream about animals. Capturing this unique connection is Indonesian artist Elicia Edijanto, who depicts small, vulnerable children alongside creatures of the wild like elephants, wolves and bears. Created in stark black and white imagery, and using only watercolors, Edijanto creates dreamlike-scenes that are both tranquil and contemplative. You can see more of her work on Behance and you can follow her on Instagram. (via Fubiz)
To celebrate his 68th birthday last week, illustrator Helen Green created an animated gif of every one of David Bowie’s hairstyles from 1964-2014. Both the black and white and color stills of all 29 frames are avaiable as a print through Society6. (via Kottke)
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Italian artist Francesco Camillo Giorgino, known as Millo, paints large-scale murals that feature friendly inhabitants exploring their urban setting. He uses simple black and white lines with dashes of color when necessary, and often incorporates elements of architecture into his multi-story paintings. In 2014, Millo won the B.Art competition that gave him the opportinity to paint no less than 13 large murals in the city of Turin. You can see much more of his work on his website, and on Facebook. (via Doodlers Anonymous)
Within the small confines of her 3 x 6 meter studio in Seoul, JeeYoung Lee‘s imagination is without boundaries. For each of her photographs the artist fills every square inch of space with hand-made props, set pieces, and backdrops and never edits or modifies the image digitally post-shoot. We first featured Lee’s work on Colossal last year, and OPIOM Gallery has since shared several more installations spanning from 2008 to 2014. Via OPIOM:
She does so with infinite minutiae and extraordinary patience, in order to exclude any ulterior photographic alteration. Thus materialised, these worlds turn real and concretise; imagination reverts to the tangible and the photo imagery of such fiction testify as to their reality. In the midst of each of these sets stands the artist, those self-portraits however are never frontal, since it is never her visual aspect she shows, but rather her quest for an identity, her desires and her frame of mind. Her creations act as a catharsis which allows her to accept social repression and frustrations.
It should be noted that Lee’s photography seems to be influenced, at least conceptually, by artist Sandy Skoglund. Her latest exhibition titled Stage of Mind will appear in both Bogota and Belfast later this summer. (via My Modern Met)
Update: Lee will also be exhibiting several pieces at Gallery Nine 5 in New York later this week.