Favored for its translucency and durability, marble has been the material of choice for sculptors beginning with the early Greek masters. And their chisels have been used, most typically, to carve an idealized human body but also to create massive pillars and architectural forms like the Supreme Court Building or the Washington Monument. So these mini-architectural interiors come as something we’ve never quite seen before. The intricately carved creations are the work of British sculptor Matthew Simmonds, an art-historian-turned-stone-carver. Inspired by his academic background and, later, his work in helping to restore important historic monuments (in particular, Westminster Abbey and Ely Cathedral) Simmonds began creating these fascinating, empty marble interiors after moving to Italy.
“The sculptures give the viewer a different perspective on space,” noted Dutch art writer Merete Prydes Helle. “They look different from every viewpoint. You long to be in them, and they seem almost more meaningful for that.” Indeed, there’s something about the realistic and tranquil interiors that makes you not want to look away. See more over at on form. (via Yatzer)
Since we last visited with Italian illustrator and graphic designer Marcello Barenghi last year, his wildly popular YouTube channel has gone into overdrive with a new photorealistic drawing tutorial almost every week. From soda cans and body parts to games and insects, he skillfully renders each piece using colored pencils and markers resulting a final object that looks like it could be grabbed right off the page. See more of his 150+ drawings right here.
Created by UK inventor Alex Shirley-Smith, Tentsile is an ingenious portable suspended treehouse that installs much like a hammock while offering the convenience of a multi-person tent. Simply locate any three anchor points and install the tent above ground where you’re immediately clear of threats from rain and a plethora of ground-based creepy crawly things.
The Tentsile system was first conceived by Shirley-Smith in 2010 and after an early concept went absurdly viral around the web in 2012 the company hired another designer, Kirk Kirchev. The team worked through a series of 14 prototypes before finally releasing their first production model, the Tentsile Stingray, at the end of last year. You can learn more about this backpackable treehouse over on their website. (via My Modern Met, This Isn’t Happiness)
I’m really enjoying these stitched leaved by artist Hillary Fayle who is currently working on a MFA in Craft/Material studies at the Virginia Commonwealth University in Richmond, Virginia. We’ve seen many different artists working with leaf cuttings (which Fayle does as well), but this aspect of suspended embroidery is pretty special. You can see more examples on her website, and custom pieces are available on request. Photos by Natalie Hofert Photography. (via Lustik)
Self-taught artist Ben Young is a man of many exceptional talents from surfing and skateboarding to repairing furniture and working full-time as a qualified boat builder. He’s also spent the last decade exploring the art of sculpting with glass, an endeavor that’s become increasingly rewarding as galleries and collectors have started to take notice.
Using sheet after sheet of carefully cut glass, Young builds both abstract and realistic interpretations of waves and bodies of water, undoubtedly influenced by growing up near the beautiful Bay of Plenty on the northern coast of New Zealand’s North Island. Many people assume his work is made with the help of machines, or maybe even 3D printing, but instead everything is done completely by hand, from his initial sketches on paper to the manual cutting of each glass pane, a process he aptly describes as “a lot of work.”
Sundust is a new series of ten portraits of fictional sun goddesses by Toronto-based visual artist Sara Golish. Each piece is meticulously executed in charcoal, conté, and gold ink, and marks a distinct evolution in Golish’s style of portraiture. From her statement about the series which was unveiled at Brockton Collective during the summer solstice:
This year, Sara Golish marks this celebration [the summer solstice] with her new series SUNDUST, a salute to the fertility of the sun goddess through ten portraits of women from the continent most touched by the sun’s embrace – Africa. Compelled by the lack of female personified sun deities, Golish aims to revise and re-examine the male dominated sun god through the recasting of the past in order to re-envision the future. Released on the eve of summer solstice, the ladies of SUNDUST represent and celebrate all that is light, powerful, and life-giving.
A few of the originals are still available, and limited edition prints are for sale through her website. You can see all ten works with detailed descriptions over on Facebook. (via Gaks Designs)
Artist Ernest Zacharevic (previously) has been quite busy the last few months with stops in Italy and locations around Malaysia where he just finished a month-long residency in Ipoh. He completed several large murals depicting locals and their way of life, but also painted a few of his signature pieces that humorously depict children or animals interacting with elements of buildings or other nearby objects. Above is a collection of pieces stretching back to December of 2013, but for more of his recent work in Malaysia head over to Arrested Motion.