Working with compact rolls of Japanese mulberry paper in a myriad of colors, artist Lisa Nilsson painstakingly creates anatomical figures and textile patterns using a centuries-old technique called quilling. In her latest artworks Jardine and Gospel, Nilsson was inspired by the patterns of an Islamic carpet and an 8th century gospel cover. The carpet piece alone was nearly 8 months in the making as she created ornate figures of flowers, stars, and other patterns to fill a 27″ by 34″ inch frame, much of which was improvised as she worked outward from the center. For Gospel she in incorporated bright gilt edged paper to mimic the actual gold used for traditional religious book covers.
Moving beyond traditionally static methods of portraiture, Jason Chen creates movement through the weaving of multiple images into one. Chen’s works use separate images of the same subject to explore mutation and time, offering a more fluid peek into his subject’s emotional state. When glanced at from afar the images appear quite singular, but when zoomed in the disparate details of the images stand out—multiple eyes occupying the same face like seen in Chen’s haunting G-iii.
This is a relatively new method for the Philadelphia-based photographer who had been previously focused on dry plate tintypes. Chen is the co-founder of Paradigm Gallery + Studio where he is currently included in the group exhibition “Portrait” through June 18th. (via Hi Fructose)
French artist Edouard Martinet assembles faithful interpretations of birds, crustaceans, insects, and other creatures with countless objects from discarded bicycles, cars, and household objects. A bicycle pump forms the abdomen of a dragonfly, windshield wipers serve as the legs of a fly, or the metal logos of a bicycle manufacturer are layered to create the dense scales of a fish. All the more incredible considering Martinet never welds or solders his pieces, but instead uses only screws or fasteners, selecting only the perfect components that “fit” each assemblage like a puzzle. From Sladmore Contemporary:
What sets Martinet’s work apart is the brilliant formal clarity of his sculptures, and their extraordinary elegance of articulation. His degree of virtuosity is unique: he does not solder or weld parts. His sculptures are screwed together. This gives his forms an extra level of visual richness – but not in a way that merely conveys the dry precision of, say, a watchmaker. There is an X-Factor here, a graceful wit, a re-imagining of the obvious in which a beautifully finished object glows not with perfection, but with character, with new life.
Martinet will open a new exhibition of work at Sladmore Contemporary in London starting May 5th, 2016.
If you’re looking to remodel your home or office with ultimate conversation starting furniture, look no further than the 737 Cowling Chair by Fallen Furniture. The behemoth chair is made from a genuine Boeing 737 engine cowling that sits atop a spun aluminum base in the same orientation you would find on an airplane and measures nearly 6.5′ square. It’s hard not to compare the curvy space age design to something Eero Saarinen might have designed. The Bath-based furniture company specializes in making functional objects from “reclaimed, authentic aircraft parts, from both military and civilian aircraft,” and you can see more of their designs on their website and on Facebook. (via Bored Panda)
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We’ve long enjoyed the work of painter and architect Maja Wronska (previously) who depicts unique vantages of architectural sites through detailed watercolors. Not only does Wrońska capture these buildings in their entirety, but also focuses on the specific details of their construction and environment such as chandeliers that hang within an ancient church, or the pigeons found circling its exterior. These elements are all produced with an eye for how to capture the character of a space rather than just its aesthetic, imbuing her paintings with the rich history found within each location.