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Singapore-based artist Keng Lye creates near life-like sculptures of animals relying on little but paint, resin and a phenomenal sense of perspective. Lye slowly fills bowls, buckets, and boxes with alternating layers of acrylic paint and resin, creating aquatic animal life that looks so real it could almost pass for a photograph. The artist is using a technique very similar to Japanese painter Riusuke Fukahori who was featured on this blog a little over a year ago, though Lye seems to take things a step further by making his paint creations protrude from the surface, adding another level of dimension to a remarkable medium. See much more of this series titled Alive Without Breath over on deviantART. (via ian brooks)
Update: I have some additional details from the artist that I’d like to add here, as this post seems to be getting a lot of attention. Via email Lye shares with me:
I started my first series in 2012 where all the illustrations were “flat” and depth was created using the layering of resin and acrylic over the different parts of the illustration. This year, I started on the octopus and it was purely an experiment; I just wanted to see whether I could push this technique to a higher level. After applying acrylic paint straight onto the resin, I incorporated a 3-D element in this instance, it was a small pebble for the ranchu and octopus. For the turtle, I used an egg shell for the turtle shell and acrylic paint for the rest of the finishing. The whole idea here was to give the art work an even more 3D effect therefore you can have a better view from any angle. I think there are still many other techniques to explore.
So to be clear the elements that extrude from the top of the resin are actually physical pieces that have been painted to match the layers of acrylic and resin below.
In 2001 artist Peter Gibson began a guerrilla street art campaign to encourage the city of Montreal to build more bike lanes. What began as a project borne of activism eventually became an art project that continues to this day. Assuming the name Roadsworth stating, “where Wordsworth is a poet of words, Roadsworth is a poet of roads,” the artist has cleverly modified roads, sidewalks, parking lots and any other publicly visible asphalt surface he can transform with paint. If you want to learn more, the artist recently took a moment to share some thoughts with My Modern Met and you can see much more of his work on his website.
Update: Colossal reader Roula adds via Facebook: The first image “is a visual translation of ‘nid de poule‘—chicken nest, which is the quebecois expression for potholes.”
The folks over at Teehan+Lax have just released a new tool (you’ll need Google Chrome and a pretty kickin’ internet connection) that lets you scrape public data from Google Street View to create sweeping hyperlapse videos. What’s a hyperlapse? Via Teehan+Lax:
Hyper-lapse photography—a technique combining time-lapse and sweeping camera movements typically focused on a point-of-interest—has been a growing trend on video sites. It’s not hard to find stunning examples on Vimeo. Creating them requires precision and many hours stitching together photos taken from carefully mapped locations. We aimed at making the process simpler by using Google Street View as an aid, but quickly discovered that it could be used as the source material. It worked so well, we decided to design a very usable UI around our engine and release Google Street View Hyperlapse.
The team turned their new UI over to one of their motion designers, Jonas, who made the stunning clip above. Incredible. Some other great examples of art made with Google Street View: Address is Approximate and this clip from Giacomo Miceli. (via it’s nice that)
French artist Bernard Pras works almost entirely within the realm of assemblage and anamorposis, a visual illusion where a distorted projection—often made from paint or a collection or objects—must be viewed from a specific vantage point to reconstitute the intended image. His latest piece, a portrait of Malian actor Sotigui Kouyaté, is comprised of numerous objects including clothes, paint, wood, rubber, and other objects found or scavenged around the installation site. Only when viewed through the lens of his camera is the image clearly visible. Watch the video above to see everything come together. Pras currently has a solo show at MazelGalerie in Brussels, Belgium and you can see a collection of his work here (flash).
FLUIDIC is the result of a unique collaboration between Hyundai’s Advanced Design Center and Berlin-based studio WHITEvoid. The interactive light sculpture is made from 12,000 suspended spheres that act as three dimensional pixels, or voxels. Surrounded by 3D cameras the piece can sense viewer’s motions which are then translated into light patterns, but amazingly the light supplied to the individual voxels is fully external. An array of high-speed lasers project into the cloud to create the dynamic visuals in real-time. Via WHITEvoid:
A seemingly floating point cloud above a water pond and consisting of 12,000 translucent spheres marks the heart of the installation. Due to a complex computer algorithm the spheres are arranged seemingly random within the cloud. At the same time the algorithm observes the positions and projection angles of eight high-speed laser projectors that are being arranged around the artwork. They are sending out beams scanning through the arrangement of the cloud. Generating bright and dim light points, this creates a highly organic and natural distribution of voxels (3D pixels). Emerging lines and shapes finally form graphical compositions without any sweet or blind spots. Keeping the same density and intensity the FLUIDIC graphics enables their viewers to observe and interact with it from every point of view.
If you liked this project, there are several other artists working with interactive light fields lately, many of which have appeared here on Colossal including the flexible Firewall, the Water Light Graffiti system and also Submergence.
Like a freak midnight rainbow, this ongoing series of lit waterfalls titled Neon Luminance is part of a collaboration between Sean Lenz and Kristoffer Abildgaard over at From the Lenz. The duo dropped high-powered Cyalume glow sticks in a variety of colors into various waterfalls in Northern California and then made exposures varying from 30 seconds to 7 minutes to capture the submerged trails of light as the sticks moved through the current. To accomplish some of the more complicated shots they strung several sticks together at once to create different patterns of illumination. For those of you concerned about pollution, the sticks (which are buoyant) were never opened and were collected at the end of each exposure, thus no toxic goo was mixed into the water. See more from the project on their website.
Designed by Chen Lu Wei for Megawing this fun set of four erasers lets you assume the role of barber while you work, all you have to do first is make a mistake. By using the eraser you slowly shave away the rubbery hair surface resulting in a funky new hairdo for your desktop pal, effectively turning an act of destruction into an act of creation every time you erase. Pretty sure my kid would just start with the face. May or may no be available here. (via co.design)