A new short film by Optical Arts depicts what would be a dinner-party nightmare: ceramic plates and bowls shatter, red wine cascades from long-stemmed glasses, and sharp knives dive to the floor. Despite its explosive scenes, “Tocatta” subsequently shows the same dinnerware, drinks, and plates of boiled eggs seamlessly repair and float upward as whole objects.
A multivalent consideration of physical contact, the word “tocatta” both originates from an Italian form of “to touch” and refers to a musical composition designed to showcase the performer’s refined techniques. The reparative film is set to the opening section of Johann Sebastian Bach’s Toccata and Fuge in D Minor, one of the German composer’s most recognized works. Because of its discordant runs, the musical piece historically has been used in horror films, like Rouben Mamoulian’s Dr. Jekyll and Mr. Hyde (1931), Terence Fischer’s The Phantom of the Opera (1962), and Norman Jewison’s dystopic Rollerball (1975).
Written for organ, the eerie composition adds a foreboding element to the film. The dramatic piece explores “the nature of time, the relentless violence of entropy and creative energy and its relationship to music itself,” the London-based creative studio writes in a statement. Another nod to the iconic composer, the dark, opening scenes are shots from Eisenach, Germany, where Bach was born and lived for the first few years of his life.
Update: A previous version of this article incorrectly identified the film as a CGI animation.
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