“As a product of an American father and a Mexican mother, I am influenced by the conflicting expectations I have received as a woman within my two cultures,” says artist Nicole McLaughlin. From her studio in Marion, Massachusetts, McLaughlin combines historically domestic crafts—ceramics and fiber art—into striking sculptures that explore identity and heritage, particularly in relation to gendered expectations, traditions, and the changes that occur as generations pass.
In her mixed-media works, the artist contrasts the soft, pliable fibers with the fragility of the plates painted with blue-and-white motifs. Dyed in subtle gradients and earth tones, the loose threads are woven through the sloping ceramic edges and knotted in the center. McLaughlin explains how it’s important that the utility of both elements is removed once combined:
(The vessels) serve as vehicles for fiber. As the fiber flows from, weaves into, or frames the ceramic, it distorts the functionality but becomes a meaningful component as plate and cloth merge. The vessels contain an expression of femininity and an essence of personal and cultural history.
These dichotomies in the materials also reflect the artist’s experience eschewing “the feminine ideals of my Mexican identity,” she says. “I am a force, and I think I tend to push the boundaries of what might be within the female expectation in Mexican culture.”
Currently, McLaughlin is serving as a teaching fellow at Tabor Academy. She sells some smaller ceramic pieces in her shop, and you can follow her work on Instagram, where she also shares glimpses into her process.
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