Kenyan-American artist Wangechi Mutu made history in 2019 when her four bronze sculptures became the first ever to occupy the niches of the Metropolitan Museum of Art’s facade. Stretching nearly seven feet, the seated quartet evokes images of heavily adorned African queens and intervenes in the otherwise homogenous canons of art history held within the institution’s walls.
The monumental figures are one facet of Mutu’s nuanced body of work that broadly challenges colonialist, racist, and sexist ideologies. Now on view at San Francisco’s Legion of Honor is the latest iteration of the artist’s subversive projects: I Am Speaking, Are You Listening? disperses imposing hybrid creatures in bronze and towering sculptures made of soil, branches, charcoal, cowrie shells, and other organic materials throughout the neoclassical galleries. The figurative works draw a direct connection between the Black female body and ecological devastation as they reject the long-held ideals elevated in the space.
No matter the medium, these associations reflect Mutu’s deep respect for and fascination with the ties between nature, the feminine, and African history and culture, a guiding framework that the team at Art21 explores in a recently released documentary. Wangechi Mutu: Between the Earth and the Sky visits the artist’s studio in her hometown of Nairobi and dives into the evolution of her artwork from the smaller collaged paintings that centered her early practice as a university student in New York to her current multi-media projects that have grown in both scope and scale.
Whether a watercolor painting with photographic scraps or one of her mirror-faced figures encircled with fringe, Mutu’s works are founded in an insistence on the value of all life and the ways the earth’s history functions as a source of knowledge, which she explains:
I truly believe that there’s something about taking these bits and pieces of trees, and animals and completely anonymous but extremely identifiable items and placing them somewhere that draws their energy, wherever they were coming from, whatever they did, whatever molten lava they came out of a million years ago, that is now in my work and that little piece of energy is magnified.
Do stories and artists like this matter to you? Become a Colossal Member and support independent arts publishing. Join a community of like-minded readers who are passionate about contemporary art, help support our interview series, gain access to partner discounts, and much more. Join now!