Gadrooning, an ornamental motif consisting of a series of tapered convex or concave curves, is derived from the decorative exteriors of Roman sarcophagi and antiquities. Renaissance artisans revisited it in the 16th century, and it re-emerged in the neoclassical revival of the 18th and 19th centuries. Referencing ancient designs and what he describes in a statement as the “broad, reverential notions of the vessel,” Maxwell Mustardo playfully examines the function of containers and earthenware over time.
In his gourd-like Gadroons and pudgy Anthropophorae—a series of bulging amphorae—a range of stippled lava glazes complement shocking hues or shimmering PVC coatings. Vibrant colors and swollen forms resemble balloons or 3D renderings displayed on a bright screen, and the resulting perception-bending, flocked-like surfaces make the pieces appear to be floating, wobbling, and glowing.
Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. You'll connect with a community of like-minded readers who are passionate about contemporary art, read articles and newsletters ad-free, sustain our interview series, get discounts and early access to our limited-edition print releases, and much more. Join now!