A sense of solitude and the finitude of time pervade the quiet, introspective works by Sung Hwa Kim. Rendering overgrown landscapes shrouded by night, the Korean artist wields the connection between ephemerality and memory, sometimes invoking nostalgia, as well. His acrylic paintings focus on fleeting acts like a glowing lightning bug or butterfly hovering above the grass while utilizing light to “symbolize the spirit of things we once loved, have lost, despair and longing. I wanted to capture these feelings and tell the viewers that even in our darkest times, there’s always light and not lose hope,” he shares.
Much of Kim’s work revolves around witnessing the world around him, and his practice includes regular walks or bike rides near his Brooklyn home. “I’m always searching for moments that are frequently overlooked in my everyday life—weeds growing in sidewalk cracks, sneakers hanging from telephone lines, fireflies in Central Park,” he shares. “It’s essential to my practice to be actively attentive and open and receptive to the world around me. It’s these moments of pause that I still enjoy and get my inspiration.”
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