Weather photographer Mike Hollingshead, whose impressive storm photography we first featured around this time last year, has taken his editing a bit further by importing his supercell thunderstorm photos into Photoshop and setting them in motion. Hollingshead says these animations aren’t created like more traditional cinemagraphs, where moving elements from a video are isolated and the rest of the image is masked out. Instead, he uses only a static image and creates the animation from thin air. Most of the photos you see here were shot in Nebraska between 2004-2013. You can see many more examples on his website.
Self-taught photographer Mikko Lagerstedt (previously) is drawn into the night where he often finds himself camped next to his tripod, waiting hours for an exposure of a frozen coastal scene or a dark and brooding forest. Many of his images are composites of two photos taken from the same location, a shorter exposure of the sky merged with a significantly longer exposure of the ground which is then manipulated in Lightroom. Lagerstedt is extremely open about his process, sharing tutorials and blog posts about how he works on his website. You can also follow him on Instagram.
Designer Dave Gorum (previously) recently stopped by the Lincoln Park Zoo in Chicago to capture the carousel in this fun pair of gifs. The strobe effect of the lights moving in the opposite direction of the platform is uncanny.
Watch this video of beautifully lit macro photos of everyday objects by photographer Pyanek (who also scored the audio) and see how many objects you can guess. I failed miserably. (via Colossal Submissions)
Inspired in part by the classic horror literature of H.P. Lovecraft, artist Jim Kazanjian (previously) assembles foreboding buildings using snippets of photographs found in the Library of Congress archives. Equal parts secret lair, insane asylum, and the work of a deranged architect, Kazanjian’s collages are created from 50-70 separate photographs taken over the last century. Each piece takes nearly three months to complete as he painstakingly searches for just the right elements, a process he likens to “solving a puzzle, except in reverse.” From his artist statement:
I’ve chosen photography as a medium because of the cultural misunderstanding that it has a sort of built-in objectivity. This allows me to set up a visual tension within the work, to make it resonate and lure the viewer further inside. My current series is inspired by the classic horror literature of H.P. Lovecraft, Algernon Blackwood and similar authors. I am intrigued with the narrative archetypes these writers utilize to transform the commonplace into something sinister and foreboding. In my work, I prefer to use these devices as a means to generate entry points for the viewer. I’m interested in occupying a space where the mundane intersects the strange, and the familiar becomes alien. In a sense, I am attempting to render the sublime.
Founded by photographer Levi Bettwieser, the Rescued Film Project obtains unclaimed film rolls from the 1930s to the 1990s and develops them for the first time, salvaging hidden memories than might have otherwise been completely lost to time. In late 2014 at an auction in Ohio, Bettwieser discovered a lot of 31 undeveloped film rolls dating back to WWII with labels including Boston Harbor, La Havre Harbor, and Lucky Strike Camp. After acquiring the rolls of film, he set to work and developed dozens of usable negatives that somehow survived the last 70 years. The process was captured in this 10-minute film by Tucker Debevec.
Bettwieser says that although many of the rolls were too damaged to develop, the majority of them resulted in usable prints, and he still has one larger format roll to develop that requires special supplies. Staring carefully at so many photos may have also resulted in an additional discovery. Bettwieser noticed a single unidentified soldier seems to appear in several different shots, and he suspects this may be the photographer who lent the camera to others in order to get shots of himself. You can scroll through dozens more photos over on the project’s website.
Part of the Rescued Film Project’s mission is to connect photos with relevant places and people, so if you recognize anything, or if you have rolls of old undeveloped film, be sure to get in touch. (via PetaPixel)