Although rare, full cloud inversions are something we know well here, covering the same phenomena over the last few years both here and here. This particular timelapse video by filmmaker Harun Mehmedinovic captures how beautifully the descending clouds imitate waves when trapped within the Grand Canyon, undulating against the uppermost edges of the natural wonder’s deep valley.
The video was filmed as a part of SKYGLOW, a crowdfunded project that seeks to explore the effects of urban light pollution by examining some of the darkest skies across North America. You can see breathtaking stills from the video, which originally premiered on BBC Earth, below. (via PetaPixel)
As a companion piece to his 2012 short film “Fall,” filmmaker Jamie Scott spent the last three years filming a massive variety of flowers in this seemingly endless parade of buds opening into blooms titled “Spring.” The entire film was shot on a small mini-stage inside the wardrobe of his New York home, and the results are stitched together into this seamless time-lapse. The visuals and music were created in tandem with composer Jim Perkins who received edits and wrote the music accordingly. You can learn more about how it was shot over on Fstoppers.
Jakarta-based designer and retoucher Aditya Aryanto posed the question: what would the blocky digital creatures in Minecraft look like if they actually walked the Earth? The result is a totally absurd series of retouched photographs titled Minecraft in Real Life. Aryanto snagged several royalty-free images from Pixabay and Unsplash and Photoshopped them into the familiar cubic beings. You can see more from the series on Behance. (via PetaPixel)
Mirror 11, 2017
Since 2003, Australian photographer Murray Fredericks has made at least twenty journeys to the center of Lake Eyre, a desert lake with an extremely high concentration of salt. Fredericks drags all of his equipment out into the barren landscape, capturing the dramatic sky reflected in both the inch-deep water and his rectangular mirror. The images are breathtaking color-based works, my favorites featuring a double horizon locked within the mirror and the water below.
“In the ‘Vanity’ series, rather than reflecting our own ‘surface’ image, the mirror is positioned to draw our gaze out and away from ourselves, into the environment, driving us towards an emotional engagement with light, colour and space,” said Fredericks about the series.
Images from Vanity are included in his solo exhibition titled Salt:Vanity at Hamiltons Gallery in London through June 14, 2017. You can see a behind-the-scenes look at Fredericks’ photographic process and journey into Lake Eyre in the short video above. (via Ignant)
Mirror 13, 2017
Mirror 30, 2017
Mirror 6, 2017
Mirror 12, 2017, all images © Murray Fredericks
Mirror 18, 2017
All photos © Brad Wilson
From lumbering African elephants to diminutive cockatoos, fine art photographer Brad Wilson appears to look into the soul of unusual animals from the far reaches of the planet, isolating each bird, mammal, or reptile against a deep black backdrop. The images are part of the Santa Fe-based photographer’s ongoing Affinity series that explores human’s relationship with animals, both positive and negative, while highlighting the fragility of each subject with the aid of soft studio lighting. From his artist statement:
In the midst of our modern human civilization with all its technological complexities, animals still remain stark symbols of a simpler life and a wilderness lost. Perhaps these images can stand as a testament to this other fading world, and remind us, despite the pronounced feeling of isolation that too often characterizes our contemporary existence, that we are not alone, we are not separate – we are part of a beautifully rich and interconnected diversity of life.
Wilson is represented by PhotoEye Gallery, and you can see more of his work on Instagram and in the 2014 book Wild Life. (via Colossal Submissions)
Using found objects collected from within big-box stores, artist Carson Davis Brown creates color-specific installations for his photography series Mass. The works are organized conglomerations of basketballs, laundry baskets, wrapping paper, and other mass produced goods, each arranged by color within the stores they are found. After photographing the works they are left as is, experienced by passersby as a break from the monotony of the weekly grocery store run and eventually disassembled by the store’s staff. You can see more of Brown’s assembled consumer experiments on Instagram and his project’s website massproject.biz. (via Juxtapoz, Catherine Edelman Gallery)