Facades is an ongoing series of work by French photographer Zacharie Gaudrillot-Roy that imagines a world where facades have been completely isolated from buildings. He shares of the project:
The façade is the first thing we see, it’s the surface of a building. It can be impressive, superficial or safe. Just like during a wandering through a foreign city, I walk through the streets with these questions: what will happen if we stick to that first vision? If the daily life of “The Other” was only a scenery? This series thus offers a vision of an unknown world that would only be a picture, without intimate space, with looks as the only refuge.
Our favorite photographer of everything creepy and crawly under the sea, Alexander Semenov, recently released a number of incredible new photographs of worms, several of which may be completely unknown to science. Half of the photos were taken at the Lizard Island Research Station near the Great Barrier Reef in Australia during a 2-week conference on marine worms called polychaetes. Semenov photographed 222 different worm species which are now in the process of being studied and documented by scientists.
The other half of the photos were taken during Semenov’s normal course of work at the White Sea Biological Station in northern Russia where he’s head of the scientific divers team. We’ve previously featured the intrepid photographer’s work with jellyfish (part 2, part 3), and starfish.
Somewhere on the southern tip of the Sinai Peninsula in Egypt, nestled at the foot of a desert mountain range, sits a peculiar sight that is almost completely out of place: hundreds of seats for an outdoor movie theater. Estonian photographer Kaupo Kikkas recently visited the desolate location and brought back these amazing shots of a decaying dream. He shares via his blog that the theater was built not too long ago by a man from France with considerable means. Tons of old seats and a generator were hauled in from Cairo, not to mention a giant screen that looked like the sail of a ship.
Everything was set for opening night, with one small problem. Kikkas says the locals weren’t particularly keen on the whole idea and decided to discreetly sabotage the generator. A single movie was never screened. So now it sits in the middle of a desert, a random movie theater that was never used. You can still see it on Google Maps. (via Lustik, Abandoned Geography)
While on approach to Chicago O’Hare International Airport last week after a business trip, amateur photographer Mark Hersch glanced out his window at the setting sun and decided to pull out his iPhone to take a photo. Right then the plane banked for a 180-degree left turn over Lake Michigan for a final westward approach when an unexpected play of light occurred: the entire skyline of Chicago was suddenly projected in shadow from underneath the cover of clouds. It’s safe to say this is textbook definition of a once-in-a-lifetime shot. Photo courtesy Mark Hersch. (via Twisted Sifter)
Belgium-based artist Catherine Nelson (previously) just unveiled a new series of works titled Expedition. The digitally “painted” collages are made from hundreds upon hundreds of photographs that Nelson meticulously assembles into sprawling worlds that straddle the line between real and imagined. The five pieces you see here were nearly 10 months in the making.
Unlike her previous collages that resemble tiny planets, the pieces from Expedition subvert traditional landscapes with a horizon and single vanishing point and instead seem to sprawl in every direction, as if being viewed from multiple vantage points at once. Each landscape is quite large, measuring 60″ tall by up to 115″ wide and is rich with details like hidden snakes, bats and lizards, all elements influenced by Nelson’s memories of her natural surroundings growing up along the east coast of Australia.
While shooting on the Canary Islands late last year, photographer Dominic Dähncke snapped this jaw-dropping shot of clouds flowing over a mountain range on La Palma Island. The photographer shares via 1X:
This photograph was taken in the mountains of “Cumbre Nueva”, in the part west of La Palma, one of the most beautiful island of the Canary Islands, in Spain. To capture cloud’s movement I have set my camera speed to 70 seconds, using a ND filter to minimize the entry of light in camera sensor.
You can see more of Dähncke’s landscape photography over on Flickr.
The plume from an exploding bomb. Black and white flowers. X-Rays of a human brain cortex. These all seem like valid guesses when looking at this new series of photos by Fabian Oefner (previously here, here, here), but the truth is more amazing: it’s fire. To create the photos Oefner added a few drops of alcohol into a large glass vessel and waited for the fumes to fill the void. He then ignited the gas and managed to capture these fleeting images as the fire consumed the interior of the vessel. You can see more plus a brief video here.
Graphic designer and illustrator Irma Gruenholz toiled away in Madrid as an ad agency art director before shifting gears and launching a freelance career in illustration. While she’s perfectly capable working with pencils and paints, it was her decision to work in 3D that really set things in motion. Gruenholz painstakingly builds each illustration with hand-sculpted modelling clay before lighting and photographing it, giving each piece a beautiful sense of depth. Lately her work has been popping up in books, magazines, and advertisements around the world and you can see more on Facebook and over on Behance. If this tickled your brain, you might also dig Shintaro Ohata.